|
Post by thepianist on Mar 4, 2011 1:30:43 GMT -5
Recently obtained these two. Horowitz: Live and UneditedThe Private Collection: Mussorgsky and LisztThe first one is a very profound experience. Even though Volodya's nerves clearly show through in some places, I find this record to be incredibly spontaneous and enjoyable. As for the second, this is Horowitz at the peak of his technical powers, live at Carnegie Hall. Nothing more can be said except that the Pictures is near perfect. The Great Gate of Kiev brings the house down. The Liszt Bm is equally good, and considerably more energetic than the '32 recording.
|
|
|
Post by damon on Mar 17, 2011 20:22:48 GMT -5
The Private Collection: Mussorgsky and LisztThe first one is a very profound experience. Even though Volodya's nerves clearly show through in some places, I find this record to be incredibly spontaneous and enjoyable. As for the second, this is Horowitz at the peak of his technical powers, live at Carnegie Hall. Nothing more can be said except that the Pictures is near perfect. The Great Gate of Kiev brings the house down. The Liszt Bm is equally good, and considerably more energetic than the '32 recording. Isn't that the version that has several bars missing? [the sonata]
|
|
|
Post by thepianist on Mar 19, 2011 2:50:29 GMT -5
Yep, he made a small cut in there somewhere.
|
|
|
Post by damon on Mar 20, 2011 19:20:17 GMT -5
I have that and I considered splicing in the missing material from another take. It's considerably better than the RCA recording he made in the late 70's, if I'm recollecting the dates properly.
|
|
|
Post by thepianist on Mar 21, 2011 0:08:06 GMT -5
Both this live Carnegie Hall performance and the '32 studio recording are better than that monstrosity. ;D
|
|